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Milan
Design Week 2013
at: Ventura Lambrate
Via Massimiano 25, Milan
opening hours: April 9 - 13, 2013
10:00 am to 8:00 pm
April 14, 2013
10:00 am to 6:00 pm
open evening: April 10, 2013
8:00 pm to 10:00 pm
for editorial requests and information:
Sabine Schweigert,
+39 347 0868023,
press@sabineschweigert.com |
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wyssem nochi 79
Au
bench
individual or in
a stack, gold is
a foam bench
covered with
mirror-gold
synthetic
leather, the
block physical
mass would weigh
9 tons if it
were metal.
foam
upholstered with
synthetic mirror
gold leather
76cmx190cmx43cm
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Buck$.
arm chair
arm chair -
polycarbonate
skin strapped to
a ply-wood
palette - cover
a stack of
18,000,000$.
bills.
180x10000$
banded block
notes printed on
80gr. ‘surfin’
paper,
with nochi skull
x-ray replacing
president
Benjamin
Franklin
portrait.
paper,
plywood and
polycarbonate
skin
79cmx79cmx71cm
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FDVF "feuille de
vigne femelle"
couch
this seat
reinterprets a
Marcel Duchamp
1950 work.
“pas encore été
clarifié.
Ready-made
érotique?
moulage simulé
de l’organe
féminin? modelé
à la main?
Il semble plus
exact de
reconnaître dans
cette oeuvre
ambiguë, un
moulage -
moulage du sexe
féminin rasé,
selon un
protocole que
Man Ray dit
avoir effectué
avec Duchamp sur
le corps d’une
prostituée -
rectifié,
recadré, poncé,
etc. si Duchamp
a voulu, sur cet
objet, maintenir
l’énigme de son
origine, c’est
que la
référence à un
corps réel se
double d’une
référence, au
corps fictif
d’Etant Donnés,
dont il peut
être considéré
comme une étude
préparatoire. Il
aura été rendu
illisible - à
une époque où
Duchamp
maintenait
secrète
l’entreprise
Etant Donnés -
par simple
retournement de
la forme (une
fente) en
contre-forme (une
lame).”
styrofoam,
fiber mesh,
concrete and
powder coat and
sheep skin cover
128cmx115cmx107cm
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brick
brick ice cream
pod limited
edition for
gino’s gelateria
brushed or
polished
stainless steel
13.2cmx24.4cmx7.3cm
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Fe
(fertilizer)
recycled product
- 100% natural
preserve
content: carbon
2.4%, silicon
1.8%, manganese
0.5%, iron 94.6%
the grey cast
iron bench legs
were machine
ground and put
in 24 numbered
glass jars
1/11(a) 1/11 (b)
to serve as
fertilizer to
infuse in water
or sprinkle over
earth.
glass jars 12/12
(a) and 12/!2(b)
contain remnant
iron dust, and
cross section of
each bench leg.
“iron
fertilization is
intended to
enhance
biological
productivity, it
can benefit the
marine food
chain and remove
carbon dioxide
form the
atmosphere. iron
is a trace
element
necessary for
photosynthesis
in all plants.”
© wyssemnochi
for smogallery
“ashes to ashes,
and dust to
dust” (david
bowie)
glass jar:
9cmx14cm glass
jar stack:
60cmx56cm
poster:
81cmx109cm
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liquid mercury hexagon
arm chair
view catalog on:
http://issuu.com/bokja/docs/sufi-facebook
Stage 4 / Skull...Of My Father
Verse 3
“Always
those who are being loved are the others
I will not live
as a stone in a locked room
I will lie down under the skull
of my father
as an incomplete kiss
I will leave the lips of my sister
she who has just been killed.”
from poem ‘The Eights Son’ by
Jolan Haji
words illustrated by Everitte Barbee
Wyssem Nochi, presents stage 4 from 'The Seven Stages of the Heart. A collaboration with
Bokja - Huda Baroudi and Maria Hibri - presented in Design Day Dubai 2013. The collection is rooted
in the Sufi teaching that in order to liberate oneself from the layers of ignorance, one must embark on
a pilgrimage through the seven stages of the heart. 14 metal chairs, 7 of which are upholstered with
Bokja assemblage, have been designed by wyssem nochi: a chair in which the extension of the lines
of hexagon form a pyramid, putting the head and breathing person’s nose within an invisible pyramid’s
energy field. Each chair represents a stage in the journey to remove all material, and earthly desires.
304 mirror polished stainless steel. 80cmx80x75cm |
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le vide
bedside table (percussion instrument) - black and white modules
view video on You Tube:
http://youtu.be/w436wY8AbgE
in a ‘trompe l’oeil’ application, the work reinterprets “the void” of Yves Klein,
“la spécialization de la sensibilité a l’état matière première en sensibilité picturale stabilizée.”
Galerie Iris Clert, Paris, 1958.
mdf with painted graphics 32cmx32cmx50cm |
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universe composition
door mat / carpet
a black grey and white wool rectangle carpet represent a precise quantification of matter in our universe;
dark energy 73%, dark matter 23%, intergalactic gas 3.6%, and stars etc. 0.4%.
100% wool door mat: 120cmx84cm carpet: 200cmx151cm |
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bird
food stick
chair and table,
with movable
plateau
please do not
sit, bird
feeding area
like a bird food
stick, the chair
and table are
coated in honey
with a brush
then
sprinkled over
with bird seeds.
birds eat away
seed and mark
chair surface
with their
bill, chair will
carry trace of
this whenever it
is offered to
them, then
washed and
appropriated for
personal use.
the plateau
serves as bird
bath or feed
plateau,
or a service
tray, or used as
traditional lap
tray to sort
stones from
lentils.
iroko or
pine set chair:
50cmx40cmx80cm
table:
30cmx30cmx45cm
plateau: 50cm
transatlantic
beach
sand or water
container
the container in
wood can contain
loose sand or
water to drag to
location by a
pull rope and
handle, for
a sun bath. the
work takes the
Situationist
International
quote ‘sous le
pave la plage’
and transforms
it to;
la ou l’on veut,
la plage.
iroko or pine,
rope
78cmx198cmx12cm
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rocker
rocking
chair
hand made from
several palm
stems bent into
form.
weighs 3.3kg.
tested under 150
kg.
rattan
50cmx82cmx71cm
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bagback
folding portable
chair in rattan
bagback is a
back rest made
of three rattan
sticks joined
together with
rope, a cushion
and
bleu, blanc,
rouge, or
camouflage
fabric mat -
detachable store
bag to carry on
items to a
picnic.
bag:
36cmx46cmx4cm
back rest
deployed: 107cm
- 168cmx47cm |
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sinbad
soap bar (slab
and sink)
oversize soap
bar for use
indoors in an
open bath space
or outdoors in a
lush green
garden.
rub on a moist
cloth or hand,
to apply the
soap onto body
then rinse off
with water.
olive, palm, and
coconut oils,
lavender, sea
salt,
ultramarine, and
gold leaf.
brass plate,
marine plywood
base, and mould
box.
slab: 160cm
80cmx17cm sink:
52cmx40cmx25cm |
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w&co.
(limo)
custom 2 chairs
bench extension
2 chairs with
plank extension
respond to a
basic
requirement of
becoming a
‘famille
nombreuse’ with
a family badass
(white vote)
imprint on
board.
order of
appearance: [wyssem,
obi, neo, lou,
and cecile]
chairs in beech,
board in pine,
white paint
54cmx180cmx88cm
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buiding
remains piled
table and
chandelier
"building
remains piled"
table and
chandelier are
made from
recycled
concrete blocks,
and
building
columns. this is
a variation on
the work
'building
remains wired'
chairs and light
fixture.
concrete block,
steel wire,
concrete, socket
wire and light
bulb.
table:
80cmx115cmx66cm
chandelier:
110cmx60cmx100cm
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wyssem nochi
Wyssem Nochi is a graduate of the Architectural Association in London and Parsons the New School for Design in New York. He has taught architecture and design at the American University in Beirut, and the Lebanese American University. He has produces works in urban design, architecture, interior and product. He has earned numerous awards and has shown work internationally. In 2005, he founded the ON/OFF stage, a design consultancy, with offices and galleries in downtown and uptown Beirut. |
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